This is the final part of the blueprint of a one day innings series we look at the tactics of a typical club game in the last 10 overs. Part one is here, part two is here.

The death of any innings is a shoot out. The battle is about who can keep control when the shackles are off.

We might think of it as a bold and innovative IPL-style tactic, but spinners have been opening the effectively bowling for years. Yet it’s still under-used in club cricket.

In my mind there is a place for defying convention and opening with spin. You just have to know who, when and how.

So, as a spinner, when might you be called on to bowl the first over of the innings?

This article is part of "The complete guide to cricket field settings" series.

Who can resist something for free?

I have a problem. With your help I can solve it, so read on and leave a comment in the comments box with your field.

As a little incentive, the best field will win the prize of an online coaching course from our library at PitchVision Academy.

What is the best field for a slow left arm bowler in a club league match?

Burrners and David are getting excited about the start of their seasons, but find time to talk through some of the big issues in cricket.

Sometimes your bowling spell doesn't go to plan and the batsman is the one on the attack.

Now it's time to adapt our plan to take into account how and where the batsman is hitting the ball.

One option is to move a fielder or two around to cut off his favourite shot, and try and force him to play a shot he isn't so comfortable with. This will often lead to his dismissal.

Good spinners are like chess grandmasters. You probe your opponent for weaknesses and plan ahead while staying focused on the next move.

Mushtaq Ahmed, Graeme Swann, Syd Barnes and Shane Warne: Each player a unique and world-class spin bowler of his time.

None of them used every variation in the book.

They didn’t need them all. They maintain their deception by varying the angle of spin within a small region either side of their stock delivery.

Subtle and devastating.

In part one we looked at the art of flight, in this part we expand on the theory to show you how to use different ways to flight the ball to get wickets.

When you combine topspin and backspin with subtle changes of pace you have four new tools with which to dismiss the batsman:

What spin bowler hasn't heard these clichés in his cricketing career?

"Toss it up" the young spin bowler is so often told. "You've got to flight the ball, give it some air, and get it above the batsman's eye line".